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Non-Fiction

Delgamuukw. Sixties Scoop. Bill C-31. Blood quantum. Appropriation. Two-Spirit. Tsilhqot’in. Status. TRC. RCAP. FNPOA. Pass and permit. Numbered Treaties. Terra nullius. The Great Peace…

Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous peoples and Canada. In 31 essays, she answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community.

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Winner: Manitoba Book Awards, Manuela Dias Book Design and Illustration Award

latern专业破解版安卓最新版Manitoba Book Awards, Mary Scorer Award for Best Book by a Manitoba Publisher; Québec Writers’ Federation, Concordia University First Book Prize; Québec Writers’ Federation, Mavis Gallant Prize for Non-Fiction

Book reviews

Winnipeg Free Press / September 2016

A necessary dialogue

Montreal Review of Books / Fall 2016

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Kirkus Review / October 2016

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9 things I learned from Chelsea Vowel’s Indigenous Writes

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This Place: 150 Years Retold

Winner of the Cybils Awards 2025 Young Adult Graphic Novel award!

Explore the last 150 years through the eyes of Indigenous creators in this graphic novel anthology.

Writers: Richard Van Camp, Chelsea Vowel, David Alexander Robertson, Jennifer Storm, Rachel and Sean Qitsualik-Tinsley, Brandon Mitchell, Kateri Akiwenzie-Damm, Katherena Vermette, and Sonny Assu

Artists: Tara Audibert, Kyle Charles, Natasha Donovan, GMB Chomichuk, Scott B. Henderson, and Andrew Lodwick

Lantern官方网站 Scott A. Ford and Donovan Yaciuk

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2025安卓梯子

Refuse: CanLit in Ruins provides a critical and historical context to help readers understand conversations happening about CanLit presently. One of its goals is to foreground the perspectives of those who have been changing the conversation about what CanLit is and what it could be. Topics such as literary celebrity, white power, appropriation, class, rape culture, and the ongoing impact of settler colonialism are addressed by a diverse gathering of writers from across Canada. This volume works to avoid a single metanarrative response to these issues, but rather brings together a cacophonous and ruinous multitude of voices.

Chelsea has a poem in this collection titled, “No Appeal”, the title of which can be read in multiple ways: a direct response to the decision not to appeal the Gerald Stanley verdict in the killing of Colton Boushie, and also as an Indigenous perspective of CanLit as an extractive and tokenizing industry.

Contributions by: Zoe Todd, Keith Maillard, Jane Eaton Hamilton, kim goldberg, Tanis MacDonald, Gwen Benaway, Lucia Lorenzi, Alicia Elliott, Sonnet l’Abbé, Marie Carrière, Kai Cheng Thom, Dorothy Ellen Palmer, Natalee Caple & Nikki Reimer, Lorraine York, Chelsea Vowel, Laura Moss, Phoebe Wang, A.H. Reaume, Jennifer Andrews, Kristen Darch & Fazeela Jiwa, Erika Thorkelson and Joshua Whitehead.

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